Al Filreis convened Bob Holman, Christy Davids, and Herman Beavers to talk about two poems by the late June Jordan. The two poems are “Financial Planning” and “Song of the Law Abiding Citizen,” and the easiest place to find the texts of these poems is Directed by Desire: The Collected Poems of June Jordan (Copper Canyon Press, 2007), with its foreword by Adrienne Rich. Our recordings of Jordan’s performance of these poems comes from the “Poetry Spots” series which was created by our Bob Holman and aired on WNYC-TV as “non-commercial commercials” from 1987 through 1993. The original air date of the two June Jordan segments was April 26, 1989. For PoemTalk we play audio-only versions (this and this) but we want to urge our listeners to watch copies of the old videos available through YouTube. HERE is June performing “Financial Planning.” And HERE is the spot in which she presents her “Song of the Law Abiding Citizen.”
Al Filreis convened Cristos Kalli, Jon Hoel, and Henry Steinberg to talk about two poems about the once hugely famous and now mostly forgotten communist and communist-affiliated poet who thrived for decades but most notably in the 1930s. In the middle of the Depression decade — in the momentous year of 1935 — he published the book Chorus for Survival with Covici-Friede. Our group discussed two poems in the Chorus for Survival series — numbers 5 and 11. In 1944, Gregory traveled to Cambridge, Mass., to record some poems for the Harvard Vocarium, performing six poems include the two we discuss. Jon and Al had met up nearly a year before, discovered a common interest in Gregory, and have co-curated this episode.
From left: Laynie Browne, Julia Bloch, Iain Morrison
Julia Bloch, Laynie Browne, and Iain Morrison joined Al Filreis in KWH’s Wexler Studio to talk about a poem — or rather two versions of a poem — by the late Callie Gardner. One version, titled “when will my love return from the culture war?,” is 6-quatrains long. A second, for which we have a recorded performance, is four quatrains; there’s a variation on the second that seems to invite us to call it a sonnet. Callie added a version — organized in the quatrains — to their blog on May 1, 2020. On November 19, 2020, Callie read the shorter version of the poem as part of a live-streamed reading given by eight poets. Callie was the fifth to read. We link the YouTube recording HERE, and PoemTalk listeners are invited to watch and listen to our poem at 53 minutes into the group reading.
Simone White, Harryette Mullen, and Laynie Browne joined Al Filreis to talk a six-page section of Harryette’s new book Open Leaves. The book, subtitled “poems from earth,” was published by Black Sunflowers Poetry Press of London in 2023. The section discussed by the group is titled “Chasing Dirt” and consists of two epigraphs, a prose-poem paragraph, a mixed media artwork titled Silent Talks by Tiffanie Delune, and a sequence of three-line poems across four pages of four poems each. Since PennSound’s Harryette Mullen author page did not yet include a recording of Harryette performing poems from Open Leaves, we asked her to read “Chasing Dirt” at the start of the recorded session. The pages from Open Leaves are available HERE.
Kay Gabriel, Syd Zolf, and Levi Bentley joined Al Filreis in the Wexler Studio of the Kelly Writers House to discuss two poems by Trish Salah. The poems can be found in Lyric Sexology Volume 1: “Interlude 4: The Voice” and “Detoured Come Tomorrow.” Lyric Sexology was published by Metonymy Press in 2017. Our recordings of Trish Salah performing these poems comes from an interview conducted by Christy Davids in the same Wexler Studio February 10, 2017. You can hear the poems and the entire conversation at Salah’s PennSound page. This episode of PoemTalk was co-curated by Al Filreis and Syd Zolf.